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TERMUSH
Introduced by Jeff VanderMeer - 'a classic: stunning, dangerous, darkly beautiful' - welcome to the post-apocalyptic White Lotus: a luxury hotel at the end of the world in this lost 1967 dystopia ...'Chilling and prescient.' Andrew Hunter Murray 'Elemental and true.' Kiran Millwood Hargrave 'Mesmerizing.' Sandra Newman 'Like someone from the future screaming to us.' Salena GoddenThe day we came up from the shelters four people were found dead on the steps of the hotel.Welcome to Termush: a luxury coastal resort like no other. All the wealthy guests are survivors: preppers who reserved rooms long before the Disaster. Inside, they embrace exclusive radiation shelters, ambient music and lavish provisions: outside, radioactive dust falls on the sculpture park, security men step over dead birds, and a reconnaissance party embarks.Despite weathering a nuclear apocalypse, their problems are only just beginning. Soon, the Management begins censoring news: disruptive guests are sedated: initial generosity towards Strangers ceases as fears of contamination and limited resources grow. But as the numbers - and desperation - of external survivors increase, admist this moral fallout, they must decide what it means to forge a new ethical code at the end (or beginning?) of the world ...Translated by Sylvia Clayton
Small Things Like These
Sylvia Plath – Selected Poems
Oscar and Lucinda
Oscar Hopkins is an Oxford seminarian with a passion for gambling. Lucinda Leplastrier is a Sydney heiress with a fascination for glass. The year is 1864. When they meet on the boat to Australia their lives will be forever changed . . .Daring, rich, intense and bizarre, Peter Carey's Booker prize-winning novel is a brilliant achievement - a moving love story and a historical tour de force that is also powerfully contemporary.
Normal People (Winner of The Costa Novel Award 2018)
LONGLISTED FOR THE MAN BOOKER PRIZE 2018Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there: they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years.This is an exquisite love story about how a person can change another person's life - a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us - blazingly - about cycles of domination, legitimacy and privilege. Alternating menace with overwhelming tenderness, Sally Rooney's second novel breathes fiction with new life.
Milkman
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.
Mary Ventura and the Ninth Kingdom: Faber Stories
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles.Lips the colour of blood, the sun an unprecedented orange, train wheels that sound like 'guilt, and guilt, and guilt': these are just some of the things Mary Ventura begins to notice on her journey to the ninth kingdom.'But what is the ninth kingdom?' she asks a kind-seeming lady in her carriage. 'It is the kingdom of the frozen will,' comes the reply. 'There is no going back.'Sylvia Plath's strange, dark tale of independence over infanticide, written not long after she herself left home, grapples with mortality in motion.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.
Johnny Panic and the Bible of Dreams
A collection of early prose stories, journalism and journal pieces exploring the themes of mental illness, creativity and gender, from one of the twentieth century's most important writers. Every day from nine to five I sit at my desk facing the door of the office and type up other people's dreams. An office assistant in a hospital pursues a secret vocation. A girl endures a series of initiation ceremonies to join her high school sorority. A married woman seeks relief from the dull realities of daily life. From her mid-teens Sylvia Plath wrote stories, twenty-four of which are collected here, along with works of journalism and extracts from her journal. 'All the pieces presented here are revealing . . . It ought to round out one's knowledge of the writer, and, perhaps, offer some surprises. Luckily it does both.' Margaret Atwood, New York Times 'A beautiful, delicate, commanding poet.' Lena Dunham ' She embodied a seismic shift in consciousness which enabled us to feel and think as we do today, and of which she was a supremely vulnerable and willing casualty. She changed our world.' Margaret Drabble, Guardian
The Golden Mole
The world is more astonishing, more miraculous and more wonderful than our wildest imaginings.'Rare and magical book.' Bill Bryson'A witty, intoxicating paean to Earth's most wondrous creatures.' Observer'Exquisite and timely.' Maggie O'Farrell** Shortlisted for the Waterstones and Foyles Book of the Year **In The Golden Mole, Katherine Rundell takes us on a globe-spanning tour of the world's strangest and most awe-inspiring animals, including pangolins, wombats, lemurs and seahorses. But each of these animals is endangered. And so, this most passionately persuasive and sharply funny book is also an urgent, inspiring clarion to treasure and act - to save nature's vanishing wonders, before it is too late.'Deeply affecting, intimate and wildly funny . . . I loved it.' Edmund de Waal'A wondrous ode to nature's astonishing beauty - and an elegy for all the life we are in the midst ofdestroying.' Amia Srinivasan'An exuberant celebration of everything from bats, crows and hedgehogs to narwhals and wombats . . . Rundell is incapable of writing a dull sentence.' Observer'There is a constant joy in the book . . . A sense throughout of delight and wonder, and a reminder thatthese emotions also matter - may even save us. This is the point.' New Statesman