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[ DRACULA (WADSWORTH COLLECTION) – GREENLIGHT ] By Stoker, Bram ( Author) 1999 [ Paperback ]
Dracula by Bram Stoker“Welcome to my house! Enter freely and of your own will!” He made no motion of stepping to meet me, but stood like a statue, as though his gesture of welcome had fixed him into stone. The instant, however, that I had stepped over the threshold, he moved impulsively forward, and holding out his hand grasped mine with a strength which made me wince, an effect which was not lessened by the fact that it seemed as cold as ice―more like the hand of a dead than a living man.
[The Haunted Hotel & Other Stories (Tales of Mystery & the Supernatural)] [By: Wilkie Collins] [July, 2006]
Editedand with an Introduction by David Stuart Davies.'Have you ever heard of the fascination of terror?'This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale.The other stories present equally disturbing scenarios, which include ghosts, corpses that move, family curses and perhaps the most unusual of all, the Devil's spectacles, which bring a clarity of vision that can lead to madness.
A Midsummer Night’s Dream (Wordsworth Classics)
A Midsummer Nights Dream is one of the most popular of Shakespeare's works. The supernatural and the mundane, the illusory and the substantial, are all shimmeringly blended. Love is treated as tragic, poignant, absurd and farcical. 'Lord, what fools these mortals be!', jeers Robin Goodfellow: but the joke may be on him and on his master Oberon when Bottom the weaver, his head transformed into that of an ass, is embraced by the voluptuously amorous Titania.Edited, Introduced and Annotated by Cedric Watts, Professor of English Literature, University of Sussex.
A Room of One’s Own & the Voyage Out (Wordsworth Classics)
A Room of One's Own (1929) has become a classic feminist essay and perhaps Virginia Woolf's best known work: The Voyage Out (1915) is highly significant as her first novel. Both focus on the place of women within the power structures of modern society.The essay lays bare the woman artist's struggle for a voice, since throughout history she has been denied the social and economic independence assumed by men. Woolf's prescription is clear: if a woman is to find creative expression equal to a man's, she must have an independent income, and a room of her own. This is both an acute analysis and a spirited rallying cry: it remains surprisingly resonant and relevant in the 21st century.The novel explores these issues more personally, through the character of Rachel Vinrace, a young woman whose 'voyage out' to South America opens up powerful encounters with her fellow-travellers, men and women. As she begins to understand her place in the world, she finds the happiness of love, but also sees its brute power. Woolf has a sharp eye for the comedy of English manners in a foreign milieu: but the final undertow of the novel is tragic as, in some of her finest writing, she calls up the essential isolation of the human spirit.
A Tale of Two Cities
A Tale of Two Cities (Wordsworth Classics)
A Tale of Two Cities by Charles Dickens. This novel traces the private lives of a group of people caught up in the cataclysm of the French Revolution and the Terror. Dicken's based his historical detail on Carlyle's The French Revolution, and his own observations and investigations during his numerous visits to Paris.
Alice in Wonderland
Alice in Wonderland & Through the Looking-Glass by Lewis Carroll. With an Introduction and Notes by Michael Irwin, Professor of English Literature, University of Kent at Canterbury This selection of Carroll's works includes Alice's Adventures in Wonderland and its sequel, Through the Looking-Glass, both containing the famous illustrations by Sir John Tenniel. No greater books for children have ever been written. The simple language, dreamlike atmosphere, and fantastical characters are as appealing to young readers today as ever they were. Meanwhile, however, these apparently simple stories have become recognised as adult masterpieces, and extraordinary experiments, years ahead of their time, in Modernism and Surrealism. Through wordplay, parody and logical and philosophical puzzles, Carroll engenders a variety of sub-texts, teasing, ominous or melancholy. For all the surface playfulness there is meaning everywhere. The author reveals himself in glimpses.
Alice in Wonderland (Wordsworth Collector’s Editions)
Alice in Wonderland by Lewis Carroll. Tweedledum and Tweedledee, the Mad Hatter, the Cheshire Cat, the Red Queen and the White Rabbit all make their appearances, and are now familiar figures in writing, conversation and idiom. So too are Carroll's delightful verses such as The Walrus and the Carpenter and the inspired jargon of that masterly Wordsworthian parody, The Jabberwocky. With an Introduction and Notes by Michael Irwin, Professor of English Literature, University of Kent at Canterbury.
Alice in Wonderland (Wordsworth Exclusive Collection)
Alice in Wonderland by Lewis Carroll. This edition contains Alice's Adventures in Wonderland and its sequel Through the Looking Glass. It is illustrated throughout by Sir John Tenniel, whose drawings for the books add so much to the enjoyment of them. Tweedledum and Tweedledee, the Mad Hatter, the Cheshire Cat, the Red Queen and the White Rabbit all make their appearances, and are now familiar figures in writing, conversation and idiom. So too are Carroll's delightful verses such as The Walrus and the Carpenter and the inspired jargon of that masterly Wordsworthian parody, The Jabberwocky.
Animal Farm
All animals are equal - but some are more equal than others' When the downtrodden animals of Manor Farm overthrow their master Mr Jones and take over the farm themselves, they imagine it is the beginning of a life of freedom and equality. But gradually a cunning, ruthless élite among them, masterminded by the pigs Napoleon and Snowball, starts to take control. Soon the other animals discover that they are not all as equal as they thought, and find themselves hopelessly ensnared as one form of tyranny is replaced with another. 'It is the history of a revolution that went wrong - and of the excellent excuses that were forthcoming at every step for the perversion of the original doctrine,' wrote Orwell for the first edition of Animal Farm in 1945. Orwell wrote the novel at the end of 1943, but it almost remained unpublished: its savage attack on Stalin, at that time Britain's ally, led to the book being refused by publisher after publisher. Orwell's simple, tragic fable has since become a world-famous classic. This Penguin Modern classics edition includes an introduction by Malcolm Bradbury.
Animal Farm
All animals are equal - but some are more equal than others' When the downtrodden animals of Manor Farm overthrow their master Mr Jones and take over the farm themselves, they imagine it is the beginning of a life of freedom and equality. But gradually a cunning, ruthless élite among them, masterminded by the pigs Napoleon and Snowball, starts to take control. Soon the other animals discover that they are not all as equal as they thought, and find themselves hopelessly ensnared as one form of tyranny is replaced with another. 'It is the history of a revolution that went wrong - and of the excellent excuses that were forthcoming at every step for the perversion of the original doctrine,' wrote Orwell for the first edition of Animal Farm in 1945. Orwell wrote the novel at the end of 1943, but it almost remained unpublished: its savage attack on Stalin, at that time Britain's ally, led to the book being refused by publisher after publisher. Orwell's simple, tragic fable has since become a world-famous classic. This Penguin Modern classics edition includes an introduction by Malcolm Bradbury.
Animal Farm (Wordsworth Classics)
In 1943, there was an urgent need for Animal Farm. The Soviet Union had become Britain’s ally in the war against Germany, and criticism of Stalin’s brutal regime was either censored or discouraged. In any case, many intellectuals on the left still celebrated the Soviet Union, claiming that the terrors of its show trials, summary executions and secret police were either exaggerated or necessary. But, to Orwell, Stalin was always a “disgusting murderer” and he wanted to remind people of this fact in a powerful and memorable way. But how to do it? A political essay would never reach a wide enough audience: a traditional novel would take too long to write. Orwell hit on the inspired idea of combining the moralism of the traditional ‘beast fable’ with the satire of Gulliver’s Travels. A group of farmyard animals, led by the pigs, overthrow their human masters. Their revolution is inspired by high ideals: the farm will be run in the interests of its animals with no more slaughtering, plenty of food for all and comfort in retirement. But when Napoleon the pig takes command, he quickly corrupts their principles, creating a new tyranny worse than the old. Orwell wrote Animal Farm in the middle of the Second World War, but at first no publishers wanted to touch it. It was finally published in August 1945, once the war was over. This little book quickly became a seminal text in the emerging ‘cold war’ (a phrase that Orwell himself coined). It also became a site of that conflict itself, suffering various attempts to subvert or change its meaning. Today, Animal Farm remains a powerful fable about the nature of tyranny and corruption which applies for all ages. Our edition also includes the following essays: Shooting an Elephant: Charles Dickens: Inside the Whale: The Frontiers of Art and Propaganda: Literature and Totalitarianism: Fascism and Democracy: Patriots and Revolutionaries: Catastrophic Gradualism: Some Thoughts on the Common Toad: Why I Write: Writers and Leviathan