The decline of religion and ever increasing influence of science pose acute ethical issues for us all. Can we reject the literal truth of the Gospels yet still retain a Christian morality? Can we defend any 'moral values' against the constant encroachments of technology? Indeed, are we in danger of losing most of the qualities which make us truly human? Here, drawing on a novelist's insight into art, literature and abnormal psychology, Iris Murdoch conducts an ongoing debate with major writers, thinkers and theologians—from Augustine to Wittgenstein, Shakespeare to Sartre, Plato to Derrida—to provide fresh and compelling answers to these crucial questions. From Publishers Weekly British novelist-philosopher Murdoch's treatise on contemporary morality spans such topics as Shakespearean tragedy, Martin Buber's philosophy and the nature of the imagination. Copyright 1994 Reed Business Information, Inc. From Library Journal This book is about the interplay of metaphysical images in art, religon, and especially morals. Morality is fundamental to human nature and is to be understood, according to distinguished novelist and philosophy professor Murdoch, not merely in piecemeal analysis but in the broad synthesis of metaphysical categories that set the order and pattern of our moral experience and our concepts thereof. Moral discernment comes from concentrated attention and appears ex nihilo , as by a kind of grace that leads us from contingent detail toward a perfection that we (allegedly) know intuitively. The work draws significant influence from Plato and Kant and also discusses aspects of Schopenhauer, Wittgenstein, and Buber in detail. Far-ranging and rich with well-chosen examples, this insightful book challenges us to think more clearly about its subject.- Robert Hoffman, York Coll., CUNYCopyright 1993 Reed Business Information, Inc. Review "Iris Murdoch has written a book which concerns all of us as human beings … There are pages here that one wants to embrace her for, pages that say things of fundamental human importance in a way that they have never quite been said before" —Noel Malcolm in the Sunday Telegraph"This is philosophy dragged from the cloister, dusted down and made freshly relevant to suffering and egoism, death and religious ecstasy … and how we feel compasison for others" —Terry Eagleton in the Guardian"Gripping … it enchants with a clause that sets you daydreaming, captivates with a stream of thought, empowers with reminiscences" —Ian Hacking in the London Review of Books"Anyone who has even the slightest interest in philosophical matters will find Metaphysics as a Guide to Morals an utterly absorbing book" —The Wall Street Journal"Remarkable … Iris Murdoch has once again put us all in her debt." —Alasdair MacIntyre in The New York Times Book Review About the Author Iris Murdoch (1919–1999) was born in Dublin and brought up in London. She studied philosophy at Cambridge and was a philosophy fellow at St. Anne's College for 20 years. She published her first novel in 1954 and was instantly recognized as a major talent. She went on to publish more than 26 novels, as well as works of philosophy, plays, and poetry.

For more than 2,000 years, Sun Tzu's The Art of War has provided leaders with essential advice on battlefield tactics, managing troops and terrain, and employing cunning and deception. An elemental part of Chinese culture, it has also become a touchstone for the Western struggle for survival and success, whether in battle, in business or in relationships. Now, in this crisp, accessible new translation, John Minford brings this seminal work to life for today's readers. A lively, learned introduction, chronologies and suggested further reading are among the valuable apparatus included in this authoritative volume. Even those readers familiar with The Art of War will experience it anew, finding it more fascinating - and more chilling - than ever. Little is known about Sun Tzu (544-496 B.C.) and his life during the Warring States period after the decline of the Zhou dysnasty, but his classic, The Art of War, has been one of the central works of Chinese literature for 2500 years. John Minford studied Chinese at Oxford and at the Australian National University and has taught in China, Hong Kong, and New Zealand. He edited (with Geremie Barme) Seeds of Fire: Chinese Voices of Conscience and (with Joseph S. M. Lau) Chinese Classical Literature: An Anthology of Translations. He has translated numerous works from the Chinese, including the last two volumes of the Penguin Classics edition of Cao Xueqin's eighteenth-century novel The Story of the Stone and the martial-arts fiction of the contemporary Hong Kong novelist Louis Cha.