Edited, Introduced and Annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex.The Wordsworth Classics' Shakespeare's Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal.Variously melancholy, lyrical, joyous and farcical, Twelfth Night has long been a popular comedy with Shakespearian audiences. The main plot revolves around mistaken identities and unrequited love. Both Olivia and Orsino are attracted to Viola, who is disguised as a young man: and Viola's brother, Sebastian, finds that he is loved not only by Antonio but also by Olivia.Meanwhile, in the comic sub-plot, Sir Toby Belch and his companions outwit the vain Malvolio, who is ludicrously humiliated. While offering broad comedy, Twelfth Night teasingly probes gender-roles and sexual ambiguities.

Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex In the hope of saving her brother's life, should a woman submit to rape? Should the law be respected when its administrator is corrupt? How powerful in the state should religion become? Although Measure for Measure ends like a comedy, with reconciliations, forgiveness and marriages, it has often been regarded as one of Shakespeare's problem plays. The drama shows the difficulty of effecting an appropriate balance between judicial severity and mercy, between sexual repression and decadence, and between political vigilance and social manipulation. These problems remain topical, and, in Measure for Measure, they are given immediacy by vivid character-conflicts and memorably intense poetry. This is one of Shakespeare's most probing and powerful works.

Macbeth by William Shakespeare with an Introduction and Notes by Cedric Watts, Professor of English Literature, University of Sussex Macbeth is one of Shakespeare's four great tragedies, encompassing witchcraft, bloody murder, ghostly apparitions as well as high poetry, blended in such a way as to demonstrate the assured dramatic touch of Shakespeare's maturity. Macbeth's tragedy is that of a good, brave and honourable man turned into the personification of evil by the workings of unreasonable ambition. It was a lesson lost on King James I & VI, for whom the play was written.

In 1943, there was an urgent need for Animal Farm. The Soviet Union had become Britain’s ally in the war against Germany, and criticism of Stalin’s brutal regime was either censored or discouraged. In any case, many intellectuals on the left still celebrated the Soviet Union, claiming that the terrors of its show trials, summary executions and secret police were either exaggerated or necessary. But, to Orwell, Stalin was always a “disgusting murderer” and he wanted to remind people of this fact in a powerful and memorable way. But how to do it? A political essay would never reach a wide enough audience: a traditional novel would take too long to write. Orwell hit on the inspired idea of combining the moralism of the traditional ‘beast fable’ with the satire of Gulliver’s Travels. A group of farmyard animals, led by the pigs, overthrow their human masters. Their revolution is inspired by high ideals: the farm will be run in the interests of its animals with no more slaughtering, plenty of food for all and comfort in retirement. But when Napoleon the pig takes command, he quickly corrupts their principles, creating a new tyranny worse than the old. Orwell wrote Animal Farm in the middle of the Second World War, but at first no publishers wanted to touch it. It was finally published in August 1945, once the war was over. This little book quickly became a seminal text in the emerging ‘cold war’ (a phrase that Orwell himself coined). It also became a site of that conflict itself, suffering various attempts to subvert or change its meaning. Today, Animal Farm remains a powerful fable about the nature of tyranny and corruption which applies for all ages. Our edition also includes the following essays: Shooting an Elephant: Charles Dickens: Inside the Whale: The Frontiers of Art and Propaganda: Literature and Totalitarianism: Fascism and Democracy: Patriots and Revolutionaries: Catastrophic Gradualism: Some Thoughts on the Common Toad: Why I Write: Writers and Leviathan

Anne of Green Gables by Lucy Montgomery. When the Cuthberts send to an orphanage for a boy to help them at Green Gables, their farm in Canada, they are astonished when a talkative little girl steps off the train. Anne, red-headed, pugnacious and incurably romantic, causes chaos at Green Gables and in the village, but her wit and good nature delight the fictional community of Prince Edward Island, Canada, and ensure that Anne of Green Gables continues to be a firm favorite with readers worldwide. This edition also includes Anne of Avonlea which continues Anne's story. Now half-past sixteen but as strong-headed and romantic as ever, Anne becomes a teacher at her old school and dreams of its improvement. But her responsible position and mature ambitions do not prevent her entanglement in the scrapes that still seem to beset her in spite of her best intentions. Thoroughly charming and amusing, with a supporting cast of colorful and endearing characters, both books will enchant and entertain readers, guaranteeing that Anne's adventures capture their affections as well as their imaginations.

Moby Dick by Herman Melville. Moby Dick is the story of Captain Ahab's quest to avenge the whale that 'reaped' his leg. The quest is an obsession and the novel is a diabolical study of how a man becomes a fanatic. But it is also a hymn to democracy. Bent as the crew is on Ahab s appalling crusade, it is equally the image of a co-operative community at work: all hands dependent on all hands, each individual responsible for the security of each. Among the crew is Ishmael, the novel's narrator, ordinary sailor, and extraordinary reader. Digressive, allusive, vulgar, transcendent, the story Ishmael tells is above all an education: in the practice of whaling, in the art of writing. With an Introduction and Notes by David Herd. Lecturer in English and American Literature at the University of Kent at Canterbury

Call of the Wild and White Fang by Jack London. The Call of the Wild and White Fang are world famous animal stories. Set in Alaska during the Klondike Gold Rush of the late 1890s, The Call of the Wild is about Buck, the magnificent cross-bred offspring of a St Bernard and a Scottish Collie. Stolen from his pampered life on a Californian estate and shipped to the Klondike to work as a sledge dog, he triumphs over his circumstances and becomes the leader of a wolf pack. The story records the decivilisation of Buck as he answers the call of the wild , an inherent memory of primeval origins to which he instinctively responds. In contrast, White Fang relates the tale of a wolf born and bred in the wild which is civilized by the master he comes to trust and love. The brutal world of the Klondike miners and their dogs is brilliantly evoked and Jack London s rendering of the sentient life of Buck and White Fang as they confront their destiny is enthralling and convincing. The deeper resonance of these stories derives from the author s use of the myth of the hero who survives by strength and courage, a powerful myth that still appeals to our collective unconscious.

Introduction and Notes by Dr Jeff Wallace, University of Glamorgan.Lawrence's finest, most mature novel initially met with disgust and incomprehension. In the love affairs of two sisters, Ursula with Rupert, and Gudrun with Gerald, critics could only see a sorry tale of sexual depravity and philosophical obscurity. Women in Love is, however, a profound response to a whole cultural crisis. The 'progress' of the modern industrialised world had led to the carnage of the First World War.What, then, did it mean to call ourselves 'human'? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? And how might they be otherwise? Without directly referring to the war, Women in Love explores these questions with restless energy. As a sequel to The Rainbow, the novel develops experimental techniques which made Lawrence one of the most important writers of the Modernist movement.

With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex.The diverse tales selected for this volume display the astonishing virtuosity of Rudyard Kipling's early writings. A Nobel prize-winner, Kipling was phenomenally productive and imaginative, displaying a literary mastery of idioms, technology and technical terms, exotic locations, and social range. He gained immense popularity, becoming (as these stories indicate) the knowledgeable spokesman for a wide public.Later, although Kipling's right-wing views increasingly incurred hostility, his creativity remained formidable. In this rich collection, we encounter bold realism, poignant nostalgia, dark comedy, the vividly horrific, the exuberantly fanciful and the disturbingly uncanny.

Portrait of the Artist As a Young Man by James Joyce with an Introduction and Notes by Dr. Jacqueline Belanger, University of Cardiff A Portrait of the Artist as a Young Man represents the transitional stage between the realism of Joyce's Dubliners and the symbolism of Ulysses, and is essential to the understanding of the later work. This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland.