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A Little History of Economics (Little Histories)
A lively, inviting account of the history of economics, told through events from ancient to modern times and through the ideas of great thinkers in the field“A whistle-stop introduction to the great works and thinkers of each age, this is a clear and accessible primer.”—Laura Garmeson, Financial TimesWhat causes poverty? Are economic crises inevitable under capitalism? Is government intervention in an economy helpful, or harmful? While the answers to such basic economic questions matter to everyone, the unfamiliar language and math of economics can seem daunting. This clear, accessible, and even humorous book is ideal for young readers new to economic concepts, and for readers of all ages who want to better understand economic history and ideas.Economic historian Niall Kishtainy organizes short chapters that center on big ideas and events. He introduces us to some of the key thinkers—Adam Smith, David Ricardo, Karl Marx, John Maynard Keynes, and others—while examining topics ranging from the invention of money to the Great Depression, entrepreneurship, and behavioral economics. The result is an enjoyable book that succeeds in illuminating the economic ideas and forces that shape our world.
A Little Book of Language (Little Histories)
Now in paperback, in the tradition of E. H. Gombrich's A Little History of the World, a lively journey through the story of languageWith a language disappearing every two weeks and neologisms springing up almost daily, an understanding of the origins and currency of language has never seemed more relevant. In this charming volume, a narrative history written explicitly for a young audience, expert linguist David Crystal proves why the story of language deserves retelling.From the first words of an infant to the peculiar modern dialect of text messaging, A Little Book of Language ranges widely, revealing language’s myriad intricacies and quirks. In animated fashion, Crystal sheds light on the development of unique linguistic styles, the origins of obscure accents, and the search for the first written word. He discusses the plight of endangered languages, as well as successful cases of linguistic revitalization. Much more than a history, Crystal’s work looks forward to the future of language, exploring the effect of technology on our day-to-day reading, writing, and speech. Through enlightening tables, diagrams, and quizzes, as well as Crystal’s avuncular and entertaining style, A Little Book of Language will reveal the story of language to be a captivating tale for all ages.
THE WORKS OF WILLIAM WORDSWORTH
With an Introduction by Antonia Till.William Wordsworth (1771-1850) is the foremost of the English Romantic poets. He was much influenced by the events of the French Revolution in his youth, and he deliberately broke away from the artificial diction of the Augustan and neo-classical tradition of the eighteenth century. He sought to write in the language of ordinary men and women, of ordinary thoughts, sights and sounds, and his early poetry represents this fresh approach to his art.Wordsworth spent most of his adult life in the Lake District with his sister Dorothy and his wife Mary, by whom he had four children. His remarkable autobiographical poem 'The Prelude' was completed in 1805, but was not published until after his death, and it is included in this full edition of Wordsworth's poetry.
To the Lighthouse (Wordsworth Classics)
With an Introduction and Notes by Dr Nicola Bradbury, University of Reading.This simple and haunting story captures the transcience of life and its surrounding emotions.To the Lighthouse is the most autobiographical of Virginia Woolf's novels. It is based on her own early experiences, and while it touches on childhood and children's perceptions and desires, it is at its most trenchant when exploring adult relationships, marriage and the changing class-structure in the period spanning the Great War.
The Waves (Wordsworth Classics)
Introduction and Notes by Deborah Parsons, University of Birmingham.'I am writing to a rhythm and not to a plot', Virginia Woolf stated of her eighth novel, The Waves. Widely regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore.The subsequent continuity of these six main characters, as they develop from childhood to maturity and follow different passions and ambitions, is interspersed with interludes from the timeless and unifying chorus of nature. In pure stream-of-consciousness style, Woolf presents a cross-section of multiple yet parallel lives, each marked by the disintegrating force of a mutual tragedy.The Waves is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.
Orlando (Wordsworth Classics)
With an Introduction and Notes by Merry M. Pawlowski, Professor and Chair, Department of English, California State University, Bakersfield.Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost.At the midpoint of the novel, Orlando, now an ambassador in Costantinople, awakes to find that he is a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries.As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.
Mrs Dalloway (Wordsworth Collector’s Editions)
Mrs Dalloway by Virginia WoolfVirginia Woolf's singular technique in Mrs Dalloway heralds a break with the traditional novel form and reflects a genuine humanity and a concern with the experiences that both enrich and stultify existence.Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith, whose madness escalates as his life draws toward inevitable suicide.
Mrs Dalloway
Virginia Woolf's singular technique in Mrs Dalloway heralds a break with the traditional novel form and reflects a genuine humanity and a concern with the experiences that both enrich and stultify existence. Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith, whose madness escalates as his life draws toward inevitable suicide.
The Years / Between the Acts (Wordsworth Classics)
This volume brings together Virginia Woolf's last two novels, The Years (1937) which traces the lives of members of a dispersed middle-class family between 1880 and 1937, and Between the Acts (1941), an account of a village pageant in the summer preceding the Second World War which successfully interweaves comedy, satire and disturbing observation.Rewriting the traditional family saga and the pageant, these unsettling novels provide extraordinary critiques of Englishness and English identity while pursuing compelling existentialist and psychological themes such as the nature of time, memory, personal relationships and sexual desire. Their tightly constructed narratives enable the reader to experience the fragmented lives of their characters and the difficulties that they have in communicating with each other and even understanding themselves. Read together, these novels illuminate each other in ways that will engage both the student and the general reader.
A Room of One’s Own & the Voyage Out (Wordsworth Classics)
A Room of One's Own (1929) has become a classic feminist essay and perhaps Virginia Woolf's best known work: The Voyage Out (1915) is highly significant as her first novel. Both focus on the place of women within the power structures of modern society.The essay lays bare the woman artist's struggle for a voice, since throughout history she has been denied the social and economic independence assumed by men. Woolf's prescription is clear: if a woman is to find creative expression equal to a man's, she must have an independent income, and a room of her own. This is both an acute analysis and a spirited rallying cry: it remains surprisingly resonant and relevant in the 21st century.The novel explores these issues more personally, through the character of Rachel Vinrace, a young woman whose 'voyage out' to South America opens up powerful encounters with her fellow-travellers, men and women. As she begins to understand her place in the world, she finds the happiness of love, but also sees its brute power. Woolf has a sharp eye for the comedy of English manners in a foreign milieu: but the final undertow of the novel is tragic as, in some of her finest writing, she calls up the essential isolation of the human spirit.
The Picture of Dorian Gray (Wordsworth Collector’s Editions)
The Picture of Dorian Gray by Oscar WildeWilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design.Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.
Picture of Dorian Gray
Picture of Dorian Gray by Oscar Wilde. The Picture of Dorian Gray is Oscar Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design. Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.