C’est arrivé la nuit
1.300,00 د.ج
Ils sont hors-la-loiMais ils œuvrent pour le bienIls sont amis et partagent leurs secrets, affrontent les mêmes dangers,Et pourtant ils ne se sont jamais rencontrés…C’est arrivé la nuit, une course folle et terrifiante dans les rues d’Oslo, Madrid, Paris, Tel-Aviv, Istanbul et Londres.Et un pari dangereux : s’attaquer à la vilenie du monde.
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Estimated delivery dates: juin 19, 2025 – juin 26, 2025
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Ils sont hors-la-loiMais ils œuvrent pour le bienIls sont amis et partagent leurs secrets, affrontent les mêmes dangers,Et pourtant ils ne se sont jamais rencontrés…C’est arrivé la nuit, une course folle et terrifiante dans les rues d’Oslo, Madrid, Paris, Tel-Aviv, Istanbul et Londres.Et un pari dangereux : s’attaquer à la vilenie du monde.
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Misère de la littérature – Rostom Djawad Touati
« Peut-être sur le plan purement formel : deux copistes qui s’exercent à reproduire la même vieille carte postale, sans doute l’un fera mieux que l’autre. Mais en définitive, ce sera la même nature morte, tandis qu’à côté, la vie réelle se déploie sous les yeux des vrais peintres, qui cherchent à saisir des moments clés de ce devenir » (Dj. R. Touati).
« Une idéologie est dominante seulement, et seulement si elle n’est pas perçue comme telle », disait Frank Lepage en paraphrasant Marx. C’est-à-dire si elle connaît un tel niveau de diffusion qu’elle semble aller de soi, que les représentations qu’elles charrient paraissent l’évidence même. Raison pour laquelle « le discours du mythe doit dissimuler aussi bien ses propres origines que celles de ce qu’il décrit » (Edward Saïd).
Pour extirper les origines du mythe néocolonial, Nadir, le poète dilettante, s’engage à manier la rime en vers et contre tous les idéologues du défaitisme et de l’autodénigrement. Ce faisant, il trouvera en Lina, jeune universitaire et romancière prometteuse, un soutien aussi précieux qu’inattendu.
En œuvrant à transformer le monde, les jeunes auteurs se transforment eux-mêmes, ainsi que leurs rapports. Alors que Lina réalise que « la liberté réside dans la transformation de ses propres déterminations » (Engels), Nadir dépassera-t-il enfin les conduites d’échec qu’il a sublimées en idéal de liberté ?
Avec Misère de la littérature, l’auteur ferme les portes de sa trilogie risquée « Le culte du ça », et ouvre celles du débat sur la « question littéraire » : l’écriture.