Bijoux en Wepam : 21 modèles
600,00 د.ج
Colliers, broches et boucles d’oreilles…, ce livre vous propose 21 bijoux et accessoires tendance ou d’inspiration florale. Suivez les pas pas clairs et illustrs en photos de Marion pour raliser facilement ses crations, mme si vous n’tes pas une experte en modelage !
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Estimated delivery dates: juillet 3, 2025 – juillet 10, 2025
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Colliers, broches et boucles d’oreilles…, ce livre vous propose 21 bijoux et accessoires tendance ou d’inspiration florale. Suivez les pas pas clairs et illustrs en photos de Marion pour raliser facilement ses crations, mme si vous n’tes pas une experte en modelage !
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30 espaces à idées : petits budgets, maxi effets
S'inventer une frise en miroirs, réaliser une crédence dans du verre armé, écrire sur les murs, créer des pochoirs sur des tabourets ou customiser des meubles avec de vieux journaux... À travers 30 reportages spécialement créatifs de Marie Claire Maison, faites le plein d'idées déco et inventez-vous la maison qui vous ressemble sans vous ruiner.
The King’s Spies
A Sir Geoffrey Mappestone mystery. March 1102
March 1102, and Robert de Belleme, the Black Earl of Shrewsbury, is summoned to appear before King Henry's Easter Court, to answer for siding with the King's older brother, the Duke of Normandy, in an attempt to steal the King's throne.
Meanwhile, in the crowded and dangerous streets of Southwark, south of the river Thames, Crusader Knights Sir Geoffrey Mappestone and the hearty Sir Roger of Durham witness a man murdered by hanging from the window of the Crusader's Arms Inn. But this is not just any man, he is the illegitimate nephew of Robert de Belleme, and had apparently been holding a meeting with two mysterious men. In fact, it turns out the inn has been used for many meetings of the earl's spies, and there are plans afoot to obtain a terrible weapon to use against the King, one that the Crusader Knights remember with a terrible fear from the Siege of Jerusalem Greek Fire.
Solving the murder is only the first step in uncovering the plot against the King.
March 1102, and Robert de Belleme, the Black Earl of Shrewsbury, is summoned to appear before King Henry's Easter Court, to answer for siding with the King's older brother, the Duke of Normandy, in an attempt to steal the King's throne.
Meanwhile, in the crowded and dangerous streets of Southwark, south of the river Thames, Crusader Knights Sir Geoffrey Mappestone and the hearty Sir Roger of Durham witness a man murdered by hanging from the window of the Crusader's Arms Inn. But this is not just any man, he is the illegitimate nephew of Robert de Belleme, and had apparently been holding a meeting with two mysterious men. In fact, it turns out the inn has been used for many meetings of the earl's spies, and there are plans afoot to obtain a terrible weapon to use against the King, one that the Crusader Knights remember with a terrible fear from the Siege of Jerusalem Greek Fire.
Solving the murder is only the first step in uncovering the plot against the King.
Final Act
Lambert & Hook discover that interrogating professional actors is an impossible business in the latest intriguing mystery.
Sam Jackson is not a man who suffers fools – or anyone else – gladly. A successful British television producer who fancies himself as a Hollywood mogul, he makes enemies easily, and delights in the fact.
It is no great surprise that such a man should meet a violent death. Detective Chief Superintendent Lambert and Detective Sergeant Hook deduce that the person who killed him is almost certainly to be found among the company of actors who are shooting a series of detective mysteries in rural Herefordshire. But these are people who make a living by acting out other people’s fictions, people more at home with make-believe than real life – and the two detectives find interrogating them a difficult business. How can Lambert and Hook fight their way to the truth when faced with a cast of practised deceivers?
Sam Jackson is not a man who suffers fools – or anyone else – gladly. A successful British television producer who fancies himself as a Hollywood mogul, he makes enemies easily, and delights in the fact.
It is no great surprise that such a man should meet a violent death. Detective Chief Superintendent Lambert and Detective Sergeant Hook deduce that the person who killed him is almost certainly to be found among the company of actors who are shooting a series of detective mysteries in rural Herefordshire. But these are people who make a living by acting out other people’s fictions, people more at home with make-believe than real life – and the two detectives find interrogating them a difficult business. How can Lambert and Hook fight their way to the truth when faced with a cast of practised deceivers?
Done to Death
TV presenting proves dangerous, when Ada and her partner Lil become involved in a new antiques show and get sucked into a morass of lies, secrets and murder . . .
Barry Stromstein has a serious problem. If he can’t come up with a concept for a new TV antiques show asap, his terrifying boss – TV sensation Lenore Parks – will fire him, and his perfect life will be over. But when he talks to antiques columnist Lil Campbell, he unexpectedly hits pay dirt. Her partner, Ada Strauss, not only suggests the perfect hook for the show, but is the perfect woman to host it.
Ada’s elated, but production of The Final Reckoning seems blighted before it’s even begun when, shockingly, Leonore dies. But Barry seems strangely determined to continue, and as Lenore’s children – the unsettling Rachel and her beloved older brother Richard – become involved, the pilot episode becomes increasingly ghoulish in tone.
Ada’s enjoying herself – really, she is – but as she and Lil are drawn deeper into the lives and affairs of the Parks, they begin to suspect that there are dark, twisted secrets at the heart of the family, and very real danger for them all . . .
Barry Stromstein has a serious problem. If he can’t come up with a concept for a new TV antiques show asap, his terrifying boss – TV sensation Lenore Parks – will fire him, and his perfect life will be over. But when he talks to antiques columnist Lil Campbell, he unexpectedly hits pay dirt. Her partner, Ada Strauss, not only suggests the perfect hook for the show, but is the perfect woman to host it.
Ada’s elated, but production of The Final Reckoning seems blighted before it’s even begun when, shockingly, Leonore dies. But Barry seems strangely determined to continue, and as Lenore’s children – the unsettling Rachel and her beloved older brother Richard – become involved, the pilot episode becomes increasingly ghoulish in tone.
Ada’s enjoying herself – really, she is – but as she and Lil are drawn deeper into the lives and affairs of the Parks, they begin to suspect that there are dark, twisted secrets at the heart of the family, and very real danger for them all . . .
A Rescue for A Queen
The eleventh enthralling adventure to feature Ursula Blanchard, reluctant spy in the service of Queen Elizabeth I
February, 1571. Ursula is once more plunged into affairs of the state when she escorts her foster daughter Margaret to the Netherlands to meet her suitor. The queen’s spymaster, Sir William Cecil, learns that the wealthy Italian banker Roberto Ridolfi will be hosting their forthcoming wedding – a man who he fears may once again be plotting to put Mary Queen of Scots on the English throne. But Ursula is also about to come face-to-face with her greatest enemy – and the exiled Countess of Northumberland is not the only figure from Ursula’s past to put in a surprising appearance.
February, 1571. Ursula is once more plunged into affairs of the state when she escorts her foster daughter Margaret to the Netherlands to meet her suitor. The queen’s spymaster, Sir William Cecil, learns that the wealthy Italian banker Roberto Ridolfi will be hosting their forthcoming wedding – a man who he fears may once again be plotting to put Mary Queen of Scots on the English throne. But Ursula is also about to come face-to-face with her greatest enemy – and the exiled Countess of Northumberland is not the only figure from Ursula’s past to put in a surprising appearance.