The Divine Comedy: Dante Alighieri (1265-1321) is one of the most important and innovative figures of the European Middle Ages. Writing his Comedy (the epithet Divine was added by later admirers) in exile from his native Florence, he aimed to address a world gone astray both morally and politically. At the same time, he sought to push back the restrictive rules which traditionally governed writing in the Italian vernacular, to produce a radically new and all-encompassing work. The Comedy tells of the journey of a character who is at one and the same time both Dante himself and Everyman through the three realms of the Christian afterlife: Hell, Purgatory and Heaven. He presents a vision of the afterlife which is strikingly original in its conception, with a complex architecture and a coherent structure. On this journey Dante's protagonist - and his reader - meet characters who are variously noble, grotesque, beguiling, fearful, ridiculous, admirable, horrific and tender, and through them he is shown the consequences of sin, repentance and virtue, as he learns to avoid Hell and, through cleansing in Purgatory, to taste the joys of Heaven.

The Drug and Other Stories by Aleister Crowley. This revised and expanded second edition brings together the uncollected short fiction of the poet, writer and religious philosopher Aleister Crowley (1875-1947). Of the fifty-four stories in the present volume, only thirty-five were published in his lifetime. Most of the rest appear in this collection for the first time. Crowley was a successful critic, editor and author of fiction from 1908 to 1922. Like their author, his stories are fun, smart, witty, thought-provoking and sometimes unsettling. They are set in places in which he had lived, and knew well: Belle Epoque Paris, Edwardian London, pre-revolutionary Russia and America during the First World War. The title story The Drug stands as one of the first accounts -- if not the first -- of a psychedelic experience. His Black and Silver is a knowing early noir discovery that anticipates an entire genre. Atlantis is a masterpiece of occult fantasy that can stand with Samuel Butler's Erewhon. Frank Harris considered The Testament of Magdalen Blair the most terrifying tale ever written. This second edition adds several additional stories, including the Qabalistic allegory Ambrosii Magi Hortus Rosarum, featuring the author's previously unpublished annotations. Extensive editorial end-notes give full details about the stories.

Woman in White by W Collins. With an Introduction and Notes by Scott Brewster, University of Central Lancashire Wilkie Collins is a master of mystery, and The Woman in White is his first excursion into the genre. When the hero, Walter Hartright, on a moonlit night in north London, encounters a solitary, terrified and beautiful woman dressed in white, he feels impelled to solve the mystery of her distress. The intricate plot is peopled with a finely characterised cast, from the peevish invalid Mr Fairlie to the corpulent villain Count Fosco and the enigmatic woman herself.

Editedand with an Introduction by David Stuart Davies.'Have you ever heard of the fascination of terror?'This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale.The other stories present equally disturbing scenarios, which include ghosts, corpses that move, family curses and perhaps the most unusual of all, the Devil's spectacles, which bring a clarity of vision that can lead to madness.

The Canterbury Tales by Geoffrey Chaucer. During his life, Geoffrey Chaucer (born c.1340) was courtier, diplomat, revenue collector, administrator, negotiator, overseer of building projects, landowner and knight of the shire. He was servant, retainer, husband, friend and father, but is now mainly known as a poet and 'the father of English literature', a postion to which he was raised by other writers in the generation after his death. It was Boccaccio's Decameron which inspired Chaucer, in the 1390s, to begin work on The Canterbury Tales, which was still unfinished at his death in October 1400. It tells the story of a group of 30 pilgrims who meet at the Tabard Inn in Southwark, on the south bank of the Thames opposite the city of London, and travel together to visit the then famous shrine of St Thomas Becket in Canterbury cathedral. The tavern host, who accompanies them, suggests that they amuse one another along the way by telling stories, with the best storyteller awarded a meal in the tavern (paid for by all the others) on their return. The stories told by the pilgrims range from bawdy comedies through saints' lives and moral tracts to courtly romances, always delivered with a generous helping of Chaucer's own sly wit and ironic humour. Although basing his characters on the stereotypes of 'estates satire', Chaucer succeeds in his aim of producing an overview of his times and their culture, for posterity, in the manner of Italian, proto-Renaissance, writers.This transcription and edition is taken from British Library MS Harley 7334, produced within ten years of Chaucer's death. The on-page notes and glosses aim to enable readers with little or no previous experience of medieva