Now in paperback, in the tradition of E. H. Gombrich's A Little History of the World, a lively journey through the story of languageWith a language disappearing every two weeks and neologisms springing up almost daily, an understanding of the origins and currency of language has never seemed more relevant. In this charming volume, a narrative history written explicitly for a young audience, expert linguist David Crystal proves why the story of language deserves retelling.From the first words of an infant to the peculiar modern dialect of text messaging, A Little Book of Language ranges widely, revealing language’s myriad intricacies and quirks. In animated fashion, Crystal sheds light on the development of unique linguistic styles, the origins of obscure accents, and the search for the first written word. He discusses the plight of endangered languages, as well as successful cases of linguistic revitalization. Much more than a history, Crystal’s work looks forward to the future of language, exploring the effect of technology on our day-to-day reading, writing, and speech. Through enlightening tables, diagrams, and quizzes, as well as Crystal’s avuncular and entertaining style, A Little Book of Language will reveal the story of language to be a captivating tale for all ages.

“Michael Gorra approaches his second edition of As I Lay Dying with the scholarly care, attention, and intellectual suppleness typical of all his work. Not only does his introduction sparkle―navigating us with ease and fluency through the history and significance of a novel that precisely because of what Gorra rightly calls its formal “perfect[ion]” is often admired less than Faulkner’s other, more “monumental” and “difficult” texts. But Gorra’s choice of supplementary materials also reflects his commitment to presenting his readers with a full and unflinching view of Faulkner as an American writer with an increasingly contentious position within the very canon he helped to shape.” ―Pardis Dabashi, Bryn Mawr College“Place and time play a significant role in the literature of the American South, yet this Critical Edition of As I Lay Dying offers a way of engaging with the work of William Faulkner beyond the traditional boundaries of Southern literature. The accessible readings and criticism that are part of this book allow readers to recognize the ways As I Lay Dying―and all of Faulkner’s literary work―captured an idea of the American South while at the same time uncovering something universal and profound about the human condition.” ―W. Ralph Eubanks, University of MississippiThis Norton Critical Edition is based on the 1985 corrected text and is accompanied by newly updated and expanded explanatory annotations and an introduction by Michael Gorra.“Backgrounds and Contexts” is divided into three sections, each of which includes a concise introduction by Michael Gorra that carefully frames the issues presented, with particular attention to As I Lay Dying’s place in Faulkner’s literary life. “Contemporary Reception” includes a selection of seven reviews, including those by Julia K. W. Baker, Henry Nash Smith, and Valery Larbaud. “The Writer and His Work” examines Faulkner’s own claims regarding the composition of the novel and his changing opinions over time, sample pages from the manuscript, his Nobel Prize address, and additional writings by Faulkner on Yoknapatawpha County. “Cultural Context” reprints seven essays and advertisements―three selections new to the Second Edition―along with other materials that address questions of Southern motherhood, Agrarianism, and the Southern grotesque.“Criticism” begins with the editor’s introduction to As I Lay Dying’s critical history and scholarly reception. Eleven critical essays are included―five new to the Second Edition―by Olga W. Vickery, Cleanth Brooks, Eric Sundquist, Doreen Fowler, Dorothy J. Hale, Patrick O’Donnell, John T. Matthews, John Limon, Richard Godden, Susan Scott Parrish, and Erin E. Edwards.A chronology and a selected bibliography are also included.

In the Inferno, Dante's protagonist - and his reader - is presented with a graphic vision of the dreadful consequences of sin, and encounters an all-too-human array of noble, grotesque, beguiling, ridiculous and horrific characters.

INSTANT NEW YORK TIMES BESTSELLER!Join the galactic conversation on the biggest issues in the universe, from the 'most popular scientist in the world'‘Don't fear change. Don't fear failure. The only thing to fear is loss of ambition. But if you've got plenty of that, then you have nothing to fear at all’ – Neil deGrasse TysonNeil deGrasse Tyson is arguably the most influential, acclaimed scientist on the planet. As director of the Hayden Planetarium, and host of Cosmos and StarTalk, he has dedicated his life to exploring and explaining the mysteries of the universe.Every year, he receives thousands of letters – from students to prisoners, scientists to priests. Some seek advice, others yearn for inspiration: some are full of despair, others burst with wonder. But they are all searching for understanding, meaning and truth.His replies are by turns wise, funny, and mind-blowing. In this, his most personal book by far, he covers everything from God to the history of science, from aliens to death. He bares his soul – his passions, his doubts, his hopes. The big theme is everywhere in these pages: what is our place in the universe?The result is an awe-inspiring read and an intimate portal into an incredible mind, which reveals the power of the universe to start conversations and inspire curiosity in all of us.

The decline of religion and ever increasing influence of science pose acute ethical issues for us all. Can we reject the literal truth of the Gospels yet still retain a Christian morality? Can we defend any 'moral values' against the constant encroachments of technology? Indeed, are we in danger of losing most of the qualities which make us truly human? Here, drawing on a novelist's insight into art, literature and abnormal psychology, Iris Murdoch conducts an ongoing debate with major writers, thinkers and theologians—from Augustine to Wittgenstein, Shakespeare to Sartre, Plato to Derrida—to provide fresh and compelling answers to these crucial questions. From Publishers Weekly British novelist-philosopher Murdoch's treatise on contemporary morality spans such topics as Shakespearean tragedy, Martin Buber's philosophy and the nature of the imagination. Copyright 1994 Reed Business Information, Inc. From Library Journal This book is about the interplay of metaphysical images in art, religon, and especially morals. Morality is fundamental to human nature and is to be understood, according to distinguished novelist and philosophy professor Murdoch, not merely in piecemeal analysis but in the broad synthesis of metaphysical categories that set the order and pattern of our moral experience and our concepts thereof. Moral discernment comes from concentrated attention and appears ex nihilo , as by a kind of grace that leads us from contingent detail toward a perfection that we (allegedly) know intuitively. The work draws significant influence from Plato and Kant and also discusses aspects of Schopenhauer, Wittgenstein, and Buber in detail. Far-ranging and rich with well-chosen examples, this insightful book challenges us to think more clearly about its subject.- Robert Hoffman, York Coll., CUNYCopyright 1993 Reed Business Information, Inc. Review "Iris Murdoch has written a book which concerns all of us as human beings … There are pages here that one wants to embrace her for, pages that say things of fundamental human importance in a way that they have never quite been said before" —Noel Malcolm in the Sunday Telegraph"This is philosophy dragged from the cloister, dusted down and made freshly relevant to suffering and egoism, death and religious ecstasy … and how we feel compasison for others" —Terry Eagleton in the Guardian"Gripping … it enchants with a clause that sets you daydreaming, captivates with a stream of thought, empowers with reminiscences" —Ian Hacking in the London Review of Books"Anyone who has even the slightest interest in philosophical matters will find Metaphysics as a Guide to Morals an utterly absorbing book" —The Wall Street Journal"Remarkable … Iris Murdoch has once again put us all in her debt." —Alasdair MacIntyre in The New York Times Book Review About the Author Iris Murdoch (1919–1999) was born in Dublin and brought up in London. She studied philosophy at Cambridge and was a philosophy fellow at St. Anne's College for 20 years. She published her first novel in 1954 and was instantly recognized as a major talent. She went on to publish more than 26 novels, as well as works of philosophy, plays, and poetry.

Chaos, a book by James Gleick, first introduced the concept and early development of the chaos theory to the public. Chaos theory is a relatively new field in physics, and deals with simple and complex causes that react to one another. Chaos theory is considered as the third revolution in 20th-century science that uses traditional mathematical ways of understanding and explaining complex natural systems. It philosophically counters the second law of thermodynamics.Chaos helps us in understanding the fact that there is growth and pattern in chaos itself, despite the outward appearance of being random. Various concepts such as the butterfly effect, universal constants, and strange attractors are discussed at a length in the book. Numerous theories of Mitchell J Feigenbaum and D'arcy Thompson are discussed in an elaborate manner, while also taking into account their historical background. The book explains the Mandelbrot Set and Julia Set without resorting to complex mathematics. In this book, the importance of scientific education is stressed upon by the author.This book has been nominated for numerous book awards and widely acclaimed as one of the best books on chaos theory. This book was published in 1997 by RHUK, and is available in paperback.Key Features:This is one of the first books that was ever written on the chaos theory, and has also been nominated for various book prizes. It helps us in understanding the complexity of problems and the best means of solving it.

The acclaimed and controversial historian turns his critical gaze on the writing of history todayOn its publication in 2009, Shlomo Sand’s book The Invention of the Jewish People met with a storm of controversy. His demystifying approach to nationalist and Zionist historiography provoked much criticism from other professional historians, as well as praise. The furore gave him a privileged position to consider his academic discipline, which he reflects on here in Twilight of History.Drawing on four decades in the field, Sand takes a wider view and interrogates the study of history, whose origin lay in the need for a national ideology. Over the last few decades, traditional history has begun to fragment, yet only to give rise to a new role for historians as priests of official memory. Working in Israel has sharpened Sand’s perspective, since the role of history as national myth is particularly salient in a country where the Bible is treated as a source of historical fact. He asks such questions as: Is every historical narrative ideologically marked? Do political requirements and state power weigh down inordinately on historical research and teaching? And, in such conditions, can there be a morally neutral and “scientific” truth?Despite his trenchant criticism of academic history, Sand would still like to believe that the past can be understood without myth, and finds reasons for hope in the work of Max Weber and Georges Sorel.

Ernest Renan was one of the intellectual giants of the second half of the nineteenth century in France, the man who first opened up the study of nationalism. In this book, Shlomo Sand, the author of the best-selling The Invention of the Jewish People, demonstrates the complexity of Renan’s thought. Sand shows the relationship of Renan’s work to that of key twentieth-century thinkers on nationalism, such as Raymond Aron and Ernest Gellner, and argues for the continued importance of studying Renan.Alongside his essay, Sand presents two classic lectures by Renan: the first, the renowned “What Is a Nation?”, argues that nations are not based upon race, religion, and language: in the second he uses historical evidence to show that the Jews cannot be considered a “pure ethnos.” On the Nation and the Jewish People is an important contribution to the understanding of nationalism, bringing back into play the work of a profoundly misunderstood thinker.

The Age of the Poets revisits the age-old problem of the relation between literature and philosophy, arguing against both Plato and Heidegger’s famous arguments. Philosophy neither has to ban the poets from the republic nor abdicate its own powers to the sole benefit of poetry or art. Instead, it must declare the end of what Badiou names the “age of the poets,” which stretches from Hölderlin to Celan. Drawing on ideas from his first publication on the subject, “The Autonomy of the Aesthetic Process,” Badiou offers an illuminating set of readings of contemporary French prose writers, giving us fascinating insights into the theory of the novel while also accounting for the specific position of literature between science and ideology.