The Last Man by Mary Wollstonecraft Shelley. With an Introduction and Notes by Dr Pamela Bickley, The Godolphin and Latymer School, formerly of Royal Holloway, University of London The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature. Mary Wollstonecraft Shelley (1797-1851) was the only daughter of Mary Wollstonecraft, author of Vindication of the Rights of Woman, and the radical philosopher William Godwin. Her mother died ten days after her birth and the young child was educated through contact with her father's intellectual circle and her own reading. She met Percy Bysshe Shelley in 1812: they eloped in July 1814. In the summer of 1816 she began her first and most famous novel, Frankenstein. Three of her children died in early infancy and in 1822 her husband was drowned. Mary returned to England with her surviving son and wrote novels, short stories and accounts of her travels: she was the first editor of P.B.Shelley's poetry and verse.

A Midsummer Nights Dream is one of the most popular of Shakespeare's works. The supernatural and the mundane, the illusory and the substantial, are all shimmeringly blended. Love is treated as tragic, poignant, absurd and farcical. 'Lord, what fools these mortals be!', jeers Robin Goodfellow: but the joke may be on him and on his master Oberon when Bottom the weaver, his head transformed into that of an ass, is embraced by the voluptuously amorous Titania.Edited, Introduced and Annotated by Cedric Watts, Professor of English Literature, University of Sussex.

In 1943, there was an urgent need for Animal Farm. The Soviet Union had become Britain’s ally in the war against Germany, and criticism of Stalin’s brutal regime was either censored or discouraged. In any case, many intellectuals on the left still celebrated the Soviet Union, claiming that the terrors of its show trials, summary executions and secret police were either exaggerated or necessary. But, to Orwell, Stalin was always a “disgusting murderer” and he wanted to remind people of this fact in a powerful and memorable way. But how to do it? A political essay would never reach a wide enough audience: a traditional novel would take too long to write. Orwell hit on the inspired idea of combining the moralism of the traditional ‘beast fable’ with the satire of Gulliver’s Travels. A group of farmyard animals, led by the pigs, overthrow their human masters. Their revolution is inspired by high ideals: the farm will be run in the interests of its animals with no more slaughtering, plenty of food for all and comfort in retirement. But when Napoleon the pig takes command, he quickly corrupts their principles, creating a new tyranny worse than the old. Orwell wrote Animal Farm in the middle of the Second World War, but at first no publishers wanted to touch it. It was finally published in August 1945, once the war was over. This little book quickly became a seminal text in the emerging ‘cold war’ (a phrase that Orwell himself coined). It also became a site of that conflict itself, suffering various attempts to subvert or change its meaning. Today, Animal Farm remains a powerful fable about the nature of tyranny and corruption which applies for all ages. Our edition also includes the following essays: Shooting an Elephant: Charles Dickens: Inside the Whale: The Frontiers of Art and Propaganda: Literature and Totalitarianism: Fascism and Democracy: Patriots and Revolutionaries: Catastrophic Gradualism: Some Thoughts on the Common Toad: Why I Write: Writers and Leviathan

Moby Dick by Herman Melville. Moby Dick is the story of Captain Ahab's quest to avenge the whale that 'reaped' his leg. The quest is an obsession and the novel is a diabolical study of how a man becomes a fanatic. But it is also a hymn to democracy. Bent as the crew is on Ahab s appalling crusade, it is equally the image of a co-operative community at work: all hands dependent on all hands, each individual responsible for the security of each. Among the crew is Ishmael, the novel's narrator, ordinary sailor, and extraordinary reader. Digressive, allusive, vulgar, transcendent, the story Ishmael tells is above all an education: in the practice of whaling, in the art of writing. With an Introduction and Notes by David Herd. Lecturer in English and American Literature at the University of Kent at Canterbury

Call of the Wild and White Fang by Jack London. The Call of the Wild and White Fang are world famous animal stories. Set in Alaska during the Klondike Gold Rush of the late 1890s, The Call of the Wild is about Buck, the magnificent cross-bred offspring of a St Bernard and a Scottish Collie. Stolen from his pampered life on a Californian estate and shipped to the Klondike to work as a sledge dog, he triumphs over his circumstances and becomes the leader of a wolf pack. The story records the decivilisation of Buck as he answers the call of the wild , an inherent memory of primeval origins to which he instinctively responds. In contrast, White Fang relates the tale of a wolf born and bred in the wild which is civilized by the master he comes to trust and love. The brutal world of the Klondike miners and their dogs is brilliantly evoked and Jack London s rendering of the sentient life of Buck and White Fang as they confront their destiny is enthralling and convincing. The deeper resonance of these stories derives from the author s use of the myth of the hero who survives by strength and courage, a powerful myth that still appeals to our collective unconscious.

The Rainbow by D. H. Lawrence. With an Introduction and Notes by Lionel Kelly, University of Reading In 1915, Lawrence's frank representation of sexuality in The Rainbow caused a furore and the novel was seized by the police and banned almost as soon as it was published. Today it is recognised as one of the classic English novels of the twentieth century. The Rainbow is about three generations of the Brangwen family of Nottinghamshire from the 1840s to the early years of the twentieth century. Within this framework Lawrence s essential concern is with the passional lives of his characters as he explores the pressures that determine their lives, using a religious symbolism in which the rainbow of the title is his unifying motif. His primary focus is on the individual's struggle to growth and fulfilment within marriage and changing social circumstances, a process shown to grow more difficult through the generations. Young Ursula Brangwen, whose story is continued in Women in Love, is finally the central figure in Lawrence's anatomy of the confining structures of English social life and the impact of industrialisation and urbanisation on the human psyche.