Lego Star Wars : le livre des labyrinthes
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Estimated delivery dates: mai 8, 2025 – mai 15, 2025
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Baby bad trip
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Olivia fête ses 17 ans. Pendant la fête, des bruits étranges parviennent de la salle de bains : sa meilleure amie, Emma, est en train d'accoucher. Jonty, le petit ami d'Olivia, échange un regard horrifié avec la jeune mère. Olivia a compris : c'est lui le père.
Emma tente de se faire à son rôle de mère. Olivia a coupé les ponts, mais Alicia et Ben lui rendent souvent visite. Emma sort pour la première fois avec son bébé et assume les regards accusateurs. Olivia finit par accepter de la revoir ; ensemble, elles décident que Jonty doit se comporter en père. Elles présentent la petite Eliza à la grand-mère de Jonty, qui va forcer ce dernier à assumer ses responsabilités.
Très solitaire, Alicia, la soeur d'Olivia, n'arrive pas à se faire des amis à cause de son étrangeté.
Grâce à sa grand-mère, Jonty garde Eliza le dimanche. Il ose un jour l'emmener au parc. Les regards sont difficiles, la petite pleure et Alicia passe par là en criant qu'il a été violent avec sa soeur. Jonty apprend dès lors à changer, regrette sa violence avec Olivia (même si leur histoire est finie). En échange, il a "gagné" un adorable bébé, et un sentiment de rédemption.
Pour Ben, être gay au lycée est compliqué. Mais il sait garder la tête haute en toutes circonstances.
About the Author
Lisa Drakeford est anglaise. Elle a d'abord travaillé dans une bibliothèque avant de se consacrer à l'écriture. "Baby Bad Trip" est son premier roman.
Olivia fête ses 17 ans. Pendant la fête, des bruits étranges parviennent de la salle de bains : sa meilleure amie, Emma, est en train d'accoucher. Jonty, le petit ami d'Olivia, échange un regard horrifié avec la jeune mère. Olivia a compris : c'est lui le père.
Emma tente de se faire à son rôle de mère. Olivia a coupé les ponts, mais Alicia et Ben lui rendent souvent visite. Emma sort pour la première fois avec son bébé et assume les regards accusateurs. Olivia finit par accepter de la revoir ; ensemble, elles décident que Jonty doit se comporter en père. Elles présentent la petite Eliza à la grand-mère de Jonty, qui va forcer ce dernier à assumer ses responsabilités.
Très solitaire, Alicia, la soeur d'Olivia, n'arrive pas à se faire des amis à cause de son étrangeté.
Grâce à sa grand-mère, Jonty garde Eliza le dimanche. Il ose un jour l'emmener au parc. Les regards sont difficiles, la petite pleure et Alicia passe par là en criant qu'il a été violent avec sa soeur. Jonty apprend dès lors à changer, regrette sa violence avec Olivia (même si leur histoire est finie). En échange, il a "gagné" un adorable bébé, et un sentiment de rédemption.
Pour Ben, être gay au lycée est compliqué. Mais il sait garder la tête haute en toutes circonstances.
About the Author
Lisa Drakeford est anglaise. Elle a d'abord travaillé dans une bibliothèque avant de se consacrer à l'écriture. "Baby Bad Trip" est son premier roman.
False Diamond
An abusive marriage leads to possible murder in the latest Abbot Agency mystery
The fake diamond in Dilys Holland’s engagement ring implies that all is not well in her marriage, and the Holland family matriarch, Sybil, calls on Bea Abbot for help. Bea soon discovers that Dilys and her little girl live in fear of her abusive husband, a man called Benton with whom Bea has already clashed.
Benton wants Bea to rescue the ailing fortunes of his company, part of the Holland empire, and has no scruples about trying violence on her too when she turns him down. To make matters worse, Bea’s Member of Parliament son has tied both his fortune and his marriage to Benton’s future and is desperate for Bea to rescue him. Then Dilys tries to commit suicide . . . or does she?
The fake diamond in Dilys Holland’s engagement ring implies that all is not well in her marriage, and the Holland family matriarch, Sybil, calls on Bea Abbot for help. Bea soon discovers that Dilys and her little girl live in fear of her abusive husband, a man called Benton with whom Bea has already clashed.
Benton wants Bea to rescue the ailing fortunes of his company, part of the Holland empire, and has no scruples about trying violence on her too when she turns him down. To make matters worse, Bea’s Member of Parliament son has tied both his fortune and his marriage to Benton’s future and is desperate for Bea to rescue him. Then Dilys tries to commit suicide . . . or does she?
Flowers for Miss Pengelly
The mysterious appearance of an unidentified man leads to difficult questions – and romance . . .
Cornwall, 1911. Young lady’s maid Effie Pengelly is confused and alarmed when charming Constable Alexander Dawes questions her about an unidentified, now deceased man who came to the town asking for her whereabouts. As the weeks go by, Constable Dawes seeks out any excuse to talk to Miss Pengelly, but he knows his family would never allow them to marry. When the investigation into the dead man finally reveals a clue, could this lead Alex and Effie towards the future they deserve?
Cornwall, 1911. Young lady’s maid Effie Pengelly is confused and alarmed when charming Constable Alexander Dawes questions her about an unidentified, now deceased man who came to the town asking for her whereabouts. As the weeks go by, Constable Dawes seeks out any excuse to talk to Miss Pengelly, but he knows his family would never allow them to marry. When the investigation into the dead man finally reveals a clue, could this lead Alex and Effie towards the future they deserve?
Final Act
Lambert & Hook discover that interrogating professional actors is an impossible business in the latest intriguing mystery.
Sam Jackson is not a man who suffers fools – or anyone else – gladly. A successful British television producer who fancies himself as a Hollywood mogul, he makes enemies easily, and delights in the fact.
It is no great surprise that such a man should meet a violent death. Detective Chief Superintendent Lambert and Detective Sergeant Hook deduce that the person who killed him is almost certainly to be found among the company of actors who are shooting a series of detective mysteries in rural Herefordshire. But these are people who make a living by acting out other people’s fictions, people more at home with make-believe than real life – and the two detectives find interrogating them a difficult business. How can Lambert and Hook fight their way to the truth when faced with a cast of practised deceivers?
Sam Jackson is not a man who suffers fools – or anyone else – gladly. A successful British television producer who fancies himself as a Hollywood mogul, he makes enemies easily, and delights in the fact.
It is no great surprise that such a man should meet a violent death. Detective Chief Superintendent Lambert and Detective Sergeant Hook deduce that the person who killed him is almost certainly to be found among the company of actors who are shooting a series of detective mysteries in rural Herefordshire. But these are people who make a living by acting out other people’s fictions, people more at home with make-believe than real life – and the two detectives find interrogating them a difficult business. How can Lambert and Hook fight their way to the truth when faced with a cast of practised deceivers?
Done to Death
TV presenting proves dangerous, when Ada and her partner Lil become involved in a new antiques show and get sucked into a morass of lies, secrets and murder . . .
Barry Stromstein has a serious problem. If he can’t come up with a concept for a new TV antiques show asap, his terrifying boss – TV sensation Lenore Parks – will fire him, and his perfect life will be over. But when he talks to antiques columnist Lil Campbell, he unexpectedly hits pay dirt. Her partner, Ada Strauss, not only suggests the perfect hook for the show, but is the perfect woman to host it.
Ada’s elated, but production of The Final Reckoning seems blighted before it’s even begun when, shockingly, Leonore dies. But Barry seems strangely determined to continue, and as Lenore’s children – the unsettling Rachel and her beloved older brother Richard – become involved, the pilot episode becomes increasingly ghoulish in tone.
Ada’s enjoying herself – really, she is – but as she and Lil are drawn deeper into the lives and affairs of the Parks, they begin to suspect that there are dark, twisted secrets at the heart of the family, and very real danger for them all . . .
Barry Stromstein has a serious problem. If he can’t come up with a concept for a new TV antiques show asap, his terrifying boss – TV sensation Lenore Parks – will fire him, and his perfect life will be over. But when he talks to antiques columnist Lil Campbell, he unexpectedly hits pay dirt. Her partner, Ada Strauss, not only suggests the perfect hook for the show, but is the perfect woman to host it.
Ada’s elated, but production of The Final Reckoning seems blighted before it’s even begun when, shockingly, Leonore dies. But Barry seems strangely determined to continue, and as Lenore’s children – the unsettling Rachel and her beloved older brother Richard – become involved, the pilot episode becomes increasingly ghoulish in tone.
Ada’s enjoying herself – really, she is – but as she and Lil are drawn deeper into the lives and affairs of the Parks, they begin to suspect that there are dark, twisted secrets at the heart of the family, and very real danger for them all . . .
A Rescue for A Queen
The eleventh enthralling adventure to feature Ursula Blanchard, reluctant spy in the service of Queen Elizabeth I
February, 1571. Ursula is once more plunged into affairs of the state when she escorts her foster daughter Margaret to the Netherlands to meet her suitor. The queen’s spymaster, Sir William Cecil, learns that the wealthy Italian banker Roberto Ridolfi will be hosting their forthcoming wedding – a man who he fears may once again be plotting to put Mary Queen of Scots on the English throne. But Ursula is also about to come face-to-face with her greatest enemy – and the exiled Countess of Northumberland is not the only figure from Ursula’s past to put in a surprising appearance.
February, 1571. Ursula is once more plunged into affairs of the state when she escorts her foster daughter Margaret to the Netherlands to meet her suitor. The queen’s spymaster, Sir William Cecil, learns that the wealthy Italian banker Roberto Ridolfi will be hosting their forthcoming wedding – a man who he fears may once again be plotting to put Mary Queen of Scots on the English throne. But Ursula is also about to come face-to-face with her greatest enemy – and the exiled Countess of Northumberland is not the only figure from Ursula’s past to put in a surprising appearance.